Wednesday, May 6, 2020
My Name is Nobody Postmodernism in Derek Walcotts The...
Tales of journeys appear repeatedly throughout the expanse of literature; these sagas include the stories of Gilgamesh, King Arthur, and, more recently, The Lord of the Rings. Derek Walcottââ¬â¢s poem ââ¬Å"The Schooner Flightâ⬠initially seems out of place amongst these surging legends of heroics and danger, yet through closer examination the poem flourishes as a postmodern retelling then deconstruction of the age-old heroic journey. The poem is a celebration of Greek mythology, a disruptive force against established binaries, and a question of what constitutes identity. The construction of the poem represents a contradiction, as it is a Homeric pastiche yet it defies the very nature of the customary heroic journey. However, this contradiction isâ⬠¦show more contentâ⬠¦Shabineââ¬â¢s attempt to escape without notice is similar to Odysseusââ¬â¢s attempts to avoid being entranced by the Sirensââ¬â¢ singing and meeting certain death. Shabine states that ââ¬Å"M aria Concepcion was all my thoughtâ⬠(44), as she encompasses his mind like the Sirenââ¬â¢s singing did to Odysseus (Homer 248-249). Walcottââ¬â¢s use of pastiche of the style and tropes of the Odyssey should presumably position Shabine as the hero in the poem, yet his heroic position is ultimately subverted through a postmodern upheaval of the grand heroic narrative. At the same time the poem establishes a pastiche of the Odyssey, ââ¬Å"The Schooner Flightâ⬠actually disrupts the grand narrative to focus on a more fragmented view. A main theme in the Odyssey, a theme common to many tales of heroic journeys, is nostos, meaning homecoming (ââ¬Å"nostosâ⬠). The grand narrative of the heroââ¬â¢s journey, or the monomyth, is defined through the linear rites of passage of separation, initiation, and return (Campbell 23). While the Odyssey perfectly follows this metanarrative, ââ¬Å"The Schooner Flightâ⬠subverts it and forms a petit rà ©cit, meaning a sma ll or local narrative that individualizes discovery (Hannabuss 220). Instead of the journey home, the poem focuses on a journey away from home, allowing for focus on Shabineââ¬â¢s individual experience, as opposed to a grand, presupposed cycle. The heroic grand narrative is further
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